Tag: music for this moment

Zeitgeist 7/14/26

I feel like I have an obligation to dig into this whole Graham Platner debacle, considering how enthusiastic I’ve been about him.

I had thought to write a bit about a Jethro Tull album for this week, but I’ve trashed that post. I might write about it again at some point, since I am interested in the evolution of that band over its many decades of existence. Every band is a story, and Jethro Tull has fascinated me for years. This observation idea of mine is a chance for a deeper dive and I will definitely take that opportunity.

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But what I feel like I have an obligation to dig into right now is the whole Graham Platner debacle. Regular readers of this blog (if such a beast exists outside of my imagination) will remember that I have posted about that dude with enthusiasm on more than one occasion.

And then this week we learned that he probably is the horrible person the oppo researchers have so wanted him to be this whole time. Yes, most likely he’s a rapist. I’ll tell you straight up. I’ve been made aware of the incident’s particulars and it really does seem like he’s done a terrible thing, dehumanized a woman, and lived in denial of that fact for years – denied it so hard he thought he could deny it right into a seat in the US Senate.

And until the facts of this case surfaced, I was absolutely on his side, even though there were a few other rumblings in the oppositional noise to suggest that he had this tendency. Because that’s the nature of elections in this country. Throw dirt at your opponent and hope some of it sticks. In this case, it really did, like a fork in a roast turkey. Goddammit.

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I’ve been listening to The Pretty Reckless a lot lately. They’re a fabulously arty punk/rock/pop band with a decidedly modern flair. Taylor Momsen is blowing my mind, tbh. At different times, they’ve tickled my particularly generation jones ear with a redolence of Gun Club, Zep, Kelly Clarkson (this is a compliment, goddammit,) X, mid-seventies Floyd, and Jobriath. In short, they’re brilliant. The cover art for this new album, Dear God pt. 1, is spectacular. I have the indie-variant vinyl, which is, I think, the proper format for this album.

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But the thing with this whole Platner situation is that… Platner constantly said to his audience, “This is not about me, it’s about YOU!” and the fact is, that is the way every US pol should think. One of the things that really made Platner click with people is that he understood that money being the biggest influence in our politics these days needs to end. I think he also campaigned on the terminality of the cult of personality. We should vote for the politicians who say and feel like they will follow through with policies that will help working people.

I think I need to reiterate, at this point, that Graham Platner is not an acceptable or viable candidate. He has **** of his own that he needs to deal with now. And seeking the approval of the public while he goes through this is… anathema.

But whoever replaces him on the ticket should reflect the values of the voters who supported Platner. The next candidate should:

  • work to abolish ice
  • address the corruption on the supreme court and in the federal government generally
  • fight for medicare for all
  • campaign for a living wage and affordable housing
  • strongly oppose the Israeli genocide against Palestinians and Lebanon
  • And the same for all forever wars.

In short, he campaigned as a representative of working Americans. That needs to not be lost, and the next person who takes up the mantle of Democratic nominee for that senate seat should have the same positions.

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We’re about to start our third heat wave in as many weeks here. That seems to be going on in a lot of places. The planet’s clearly out of whack, due to stupid human activity. I’ve been hearing that we’ve crossed the line, and that no matter what we do, we’re about to face climate disaster. And yet we’re in the middle east fighting for oil and against human decency. It all makes me wonder if humanity can survive its own greed and thickheadedness. I don’t have an answer for you about this. Time will tell, if there’s anyone to listen.

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The best things about Summer are home grown tomatoes and ice cream. I wish you plenty of both!

Some of Karen’s tomato haul from last year. Photo by me.

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Gang of Four at the State Theater in Portland, Maine

A rock show for this time, playing music that sends a message across the decades.

I have to start by saying that the State Theater is one of the worst-sounding music venues I’ve ever been in. Opening band The Downtown Boys, who I really wanted to like (and probably would on any other night) were absolutely unlistenable in that room. Pure sonic mud. They were passionate and political and clearly having fun up there on that stage (their saxaphonist/keyboard player is a hoot!) but if you played me one of their songs today and didn’t tell me who I was listening to, I’m about 90% sure I wouldn’t be able to tell you who they were. It was that bad. I apologize for not having the ability to form more of an opinion about their performance. I suppose I should make an attempt to learn more about them, and I will certainly try to do so at some point.

Regular readers (hah!) of this blog will know that most of the music I write about here fits under the “prog” umbrella, but it should be noted that I have had lots of years of music listening, and my tastes are quite broad. I have both obsessed about and reacted against more different music than most people hear in a lifetime, and in the fullness of time, I have probably both loved and hated almost every sort of music.

Gang of Four at the State Theater in Portland, Maine. Photo by Landi Michaels.

So when I tell you that this first-gen obsessively hard-left post-punk band, Gang of Four, hit the stage the other night, I about lost my mind. I LOVE Gang of Four. I am not rational about it (except, of course, that I have lots of thoughts about them, and have sorted through them at length) and I couldn’t help abandoning everything and just hopping up on to my spindly old pegs and DANCING as soon as they began their set. Their energy did not let up, nor did mine. Start to finish, they were amazing.

I found myself thinking about how, with four albums and a couple of EPs to their name, this band could play a full set that sounded like a high-level greatest hits comp, and they absolutely did! They didn’t play anything from their final album Hard. Frankly, that was no great loss. Give me those first three albums and the interstitial EPs and I’m all set.

And speaking of greatest hits: I know it’s a standard set piece, but Jon’s very rhythmic whacking of a microwave oven with a baseball bat was extremely satisfying. In fact, that was one of the many moments of cultural resonance that came with the set in general. There was a feeling in the air that what Gang of Four was offering from the stage was medicine, that every note and nuance was there to counteract the effects of fascist evil. It was a utopian moment in time for that very reason.

And it was also the band saying goodbye. Original band members Jon King and Hugo Burnham have said that they won’t be bringing the band out on tour again, that they’re closing the book on headlining tours. I’m grateful that I got to see them. I haven’t been able to get to any of their shows before, no matter how much I love them, but this moment seems like the most impactful time to have come to their positive, warm, anti-fascist performance. It is fuel, which I suspect is what they want their music to be.

Finally, I want to shout out Ted Leo and especially Gale Greenwood who did a great job of filling giant shoes. Gale especially was having a great time on that stage, bouncing around and clowning and holding down that very heavy beat along with Hugo. She was a great addition to the show. (I just learned that my friend Linda Bean Pardee played bass with Gang of Four before Gale! Hey, Mikey!)

Also, Hugo took a few moments at the end of the night to shill for Graham Platner, which I greatly appreciated.

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